Daniel Davidsohn
ABOUT
São Paulo, 1950s. A young entrepreneur stakes everything on a German eccentric press — a machine he can barely afford, arriving from the port at the same time his first child is about to be born. Decades later, the man and the machine meet again, in the lobby of the company it built. A five-minute biographical short about the moment that changes a life. The story and its protagonist are fictional, created as a demonstration of a private format: films commissioned by families to turn a real life story into cinema, with characters, period reconstruction and an ending. The real commissions are protected by NDA; this one can be shown.
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PROCESS
The film was built like a period production. I wrote the screenplay around a single turning point, then designed the world of 1950s industry before generating any motion. Character sheets and product sheets were created in GPT Image 2, locking each character's appearance and every key object, including the German press itself, so they would stay consistent across decades and scenes. Keyframes for every shot featuring people were generated in Nano Banana Pro from those references. Dialogue scenes were produced in Seedance 2.5, which kept each character's voice locked and consistent throughout the film. Non-dialogue shots and movement were animated in Kling 3.0. The original score and sound were made with Suno, and the film was edited, paced and color-finished in CapCut.
Credits
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